"but now I am here to prove I'm still alive"
The power of iskwe, Jessica Lea Fleming, Aria Evans, Sze-Yang Ade-Lam, Micha Baltman, Kennedy Bomberry, Serwaa Daley, Geoffrey Dollar, Kristy Janvier, Aisha Nicholson, Karyin Qiu, and Heath V. Salazar.
"ob"- toward, against, across, down, over, for the sake of...
obedience
obey
object
obligation
obligatory
oblique
oblivion
observe
obsess
obsidian
obstacles
obstetrical
obstruct
obtrusive
obvious
ObScene: By holding onto our beliefs or judgements, how can we create connection? A performance art piece that explores healthy sensuality as a means of release.
Performed at Sarasvati's International Women's Week Cabaret of Monologues: I AM UNSTOPPABLE
Shameless or Immoral
Balance. Beauty. Belonging. Body Image. Bonding. Bounding. Collaboration. Consent. Habits. Identity. Judgements. Norms. Objectification. Oppression. Physical. Power. Privilege. Questions. Relate. Relationships. Sharing Weight. Social. Taboos. Values.
Facilitated by: Daniel Mang (Sweden), Ea Torrado (Philippines) and Sze-Wei Chan (Singapore) With support of: Daloy Dance Company, Metro Manila, Philippines
I'm displaced
Please sew my soul to my body
Please sew your voice to my body
Let my tongue speak for your soul
Let your tongue speak for my mind
Let me stick to you
Let me be you
簡介
A Dutch - Cantonese multidiscipinary performance
with solo work of Dutch flutist Mark Alban Lotz
Artist statement
Early morning
Late at night
earth wind and water collide
The New
starts to creep and crawl
To forge its way
to the surface of the earth
Naked and blind
we come into this world
Our cultures, upbringing and personal histories
make us see, what other do not see
What do you see?
"Luggage-seeing" and "new seeing".
How do strangers you meet on your journey
arouse unpacking and unpeeling?
What language does the unpacked and aroused speak?
Where is its home, its port?
